PAMELLA ALLEN ARTWORKS
MIXED MEDIA PAINTINGS & PAPERWORKS IN STUDIO
Deconstructed 30"x30" Acrylic, silk and mixed media on canvas Pamella Allen 2018
Dacta Bird 30"x30" Acrylic and mixed media on Canvas Pamella Allen 2018
Ahimsa 60"x60"x2" Hand made paper, acrylic, sand and mixed media on canvas 2017
HummingDragon 63"x63"x2" Acrylic and mixed media on canvas Pamella Allen 2018
Me Mandala 30"x46" x1.5" Acrylic, sand, silk and mixed media on canvas Pamella Allen 2018
SuperNova 40"x40"x1.5" Acrylic, volcanic sand and mixed media on paper Pamella Allen 2018
GreenTara 30"x30"x2" Acrylic, silk, paper & mixed media on canvas pamella allen 2018
LIMITED EDITION PRINTS
Artists' selection of works from the collection sized 16"x20' - 20 x24"
Artists' selection of works from the collection sized 16"x20' - 20 x24"
About the works:
After observation, the first step in my creative process is the memory sketch, a spontaneous drawing using ink, acrylic, oil paint, graphite or charcoal; the imagery comes out of the chaos of memory, these are my archetypal images. I appropriate them in different iterations, medium, sizes and techniques throughout my practice.
To create the series of mixed media paintings entitled My Mandala, I have appropriated the ritual, therapeutic and storytelling use of the mandala in indigenous cultures throughout history. To make My Mandalas, I use my own artifacts and archetypal images, the motion of repetitive form, the written word, and earth elements such as sand and wood to create a landscape grounded in the mystic of nature. The desire is to make a place of "one-ness" in the process of creating the mandala that translates to the viewer as a place of inspired peace, a place of meditation.
The self-study is constant in my arts practice, and speaks of everyday encounters of intense inspiration. Moment, memory and the mystic of nature is always the muse as I create and appropriate lived experience by layering and collaging deconstructed visual elements that I illustrate, paint or photograph along with tactile elements
created by nature that I gather on my journeys over land and sea.
DTS Collage- Deconstruct- & Seeds Mixed Media Collage is series of works created with elements from the limited edition "Different The Same" ( DTS) photo essay. These works are from a continuing series of mixed media paintings and works on paper. I use an intuitive process of appropriation, deconstruction and reconstruction to combine raw elements from my series of photo essays on; works in progress, installations, self-studies and nature studies. The muse is also the process, it is all about the process, the journey is in fact the destination.
for pricing & exhibition inquiries, click here for the contact page.
After observation, the first step in my creative process is the memory sketch, a spontaneous drawing using ink, acrylic, oil paint, graphite or charcoal; the imagery comes out of the chaos of memory, these are my archetypal images. I appropriate them in different iterations, medium, sizes and techniques throughout my practice.
To create the series of mixed media paintings entitled My Mandala, I have appropriated the ritual, therapeutic and storytelling use of the mandala in indigenous cultures throughout history. To make My Mandalas, I use my own artifacts and archetypal images, the motion of repetitive form, the written word, and earth elements such as sand and wood to create a landscape grounded in the mystic of nature. The desire is to make a place of "one-ness" in the process of creating the mandala that translates to the viewer as a place of inspired peace, a place of meditation.
The self-study is constant in my arts practice, and speaks of everyday encounters of intense inspiration. Moment, memory and the mystic of nature is always the muse as I create and appropriate lived experience by layering and collaging deconstructed visual elements that I illustrate, paint or photograph along with tactile elements
created by nature that I gather on my journeys over land and sea.
DTS Collage- Deconstruct- & Seeds Mixed Media Collage is series of works created with elements from the limited edition "Different The Same" ( DTS) photo essay. These works are from a continuing series of mixed media paintings and works on paper. I use an intuitive process of appropriation, deconstruction and reconstruction to combine raw elements from my series of photo essays on; works in progress, installations, self-studies and nature studies. The muse is also the process, it is all about the process, the journey is in fact the destination.
for pricing & exhibition inquiries, click here for the contact page.
Selected Art Journals 1998-2018
Ancient manuscripts of any kind have always held a powerful fascination for me, the hand bound book is one of the visual elements that has been used by all cultures and religions throughout history, built with hand-made paper/papyrus, clay, stone, wood, reeds; these volumes were put together with an intent to tell a story, share information, convey a message.
with constant research on art and culture, I have discovered and appropriated many technical elements of the ancient practice of book binding and paper making from cultures throughout the world and received a master class on Bush-Paper making/sculpting techniques from an Australian textile artist in India. But well before that, I made the first hand-bound Art Journal over 27 years ago while at sea for a year, sailing the Caribbean, the Mediterranean and the North Atlantic, what grew out of simple necessity became fundamental to my arts practice. Each year since, it has been a means of storytelling, collecting and reflection for me and has grown into a codex of over 27 volumes of Art Journals in a time span that extends to over 20 years. The motion of repetitive form, the written word, and earth elements such as sand and wood create a visual narrative grounded in self, through the mystic of nature. The Art Journals are the alpha and the omega of my arts practice, a personal narrative, a direct window inside.
with constant research on art and culture, I have discovered and appropriated many technical elements of the ancient practice of book binding and paper making from cultures throughout the world and received a master class on Bush-Paper making/sculpting techniques from an Australian textile artist in India. But well before that, I made the first hand-bound Art Journal over 27 years ago while at sea for a year, sailing the Caribbean, the Mediterranean and the North Atlantic, what grew out of simple necessity became fundamental to my arts practice. Each year since, it has been a means of storytelling, collecting and reflection for me and has grown into a codex of over 27 volumes of Art Journals in a time span that extends to over 20 years. The motion of repetitive form, the written word, and earth elements such as sand and wood create a visual narrative grounded in self, through the mystic of nature. The Art Journals are the alpha and the omega of my arts practice, a personal narrative, a direct window inside.
